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Steven Tyler Will Rock a Candy-Covered Microphone in Skittles' Super Bowl Ad

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If you love Skittles and Aerosmith, have we got good Super Bowl news for you.

The veteran rock band's iconic frontman, Steven Tyler, always had What It Takes, and now he's Back in the Saddle for this Crazy teaser starring his Amazing hair (OK we'll stop with the song references now) and a custom mic stand decorated with a rainbow assortment of ... you guessed it.

The ad, created by DDB Chicago, will mark the second time Skittles has appeared in the Big Game following last year's spot starring two men in an epic arm wrestling contest.

It's also the first time the Wrigley brand has featured a celebrity in a TV ads (though the Seattle Seahawks' Marshawn Lynch had a nice digital ad appearance) , and the candy company created "a custom, one-of-a-kind Skittles covered microphone for Steven" in order to show how much it appreciates his talent—and, we presume, his longstanding status as a shameless pitchman.

So far, we only have the above GIF as a preview, but it is quite intense. And it raises more questions than answers. Specifically, why is he in a library? We must wait and see.

Tyler made headlines late last year for canceling most of Aerosmith's 2016 concerts in order to focus on his solo career, and Wrigley claims to have created the mic stand "so he can rock on with The Rainbow leading up to the Super Bowl and beyond."

We'll see how it plays on his arena tour.


Here's Your First Look at Christopher Walken on the Set of Kia's Super Bowl Ad

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It's been 16 years since Pets.com's sock puppet graced us with a starring role in a Super Bowl commercial. That didn't work out so well. But maybe it's time for another sock puppet, as modeled by Christopher Walken in the photo above, released Thursday by Kia to hype its upcoming Super Bowl spot. 

Kia didn't reveal much about the 60-second commercial, from David & Goliath, which will run in the third quarter of the Feb. 7 telecast and push the 2016 Optima midsize sedan. But it did send Adweek this statement along with the two photos:

"Christopher Walken—and a very colorful sock—will add pizzazz to Kia Motors' 60-second Super Bowl commercial for the all-new 2016 Optima midsize sedan. Scheduled to run in the third quarter, the new ad will continue to spotlight the next-generation Optima as the vibrant alternative for those determined not to blend in."

This is Kia Motors' seventh straight year in the big game. Last year's ad starred Pierce Brosnan and was one of Adweek's five favorite spots on the game. Check out another photo below of Walken, who has also voiced a couple of other Kia spots this month. 

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Shock Top Teaser Clip Promises the 'Greatest Super Bowl Ad of All Time'

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Shock Top, A-B InBev's craft-like offering, has released a teaser of its upcoming Super Bowl debut. Created by Anomaly in Toronto, the 90-second clip features the brand's new spokesman, comedian T.J. Miller, who sardonically introduces himself and the beer to consumers. 

While it launched in 2006 and initially experienced vast growth, doubling year over year, according to the brand's vp Jake Kirsch, Shock Top has struggled to maintain that growth.  

"The reality is that we haven't grown as much in the last few years," Kirsch said. "The biggest piece of that challenge is that while we're available, the majority of people don't know who we are. And it's awfully hard, even if you're available, to get people to try you if they don't know you."  

That's where the Super Bowl comes in.

"If we're going to relaunch, reignite, restage ...  it's about how do we reach as many people as possible and get known and filter through that clutter? And the Super Bowl is a great platform to do that with," Kirsch said. 

Miller, who stars in the HBO series Silicon Valley as well as the upcoming Deadpool movie, joins comedian Martin Montana, who voices the brand's mascot, Wedgehead, and will be featured in much of the brand's creative work this year. The teaser dialogue between the two comedians was ad-libbed, according to Kirsch. 

"T.J. Miller embodies the brand, the irreverence, the wit," said Kirsch. "We tell people to 'Live Life Unfiltered,' we're an unfiltered beer, and T.J. is at the top of the list of people like that."

A-B InBev hasn't finalized placement of each of its Super Bowl spots, so it's unclear when the ad will air during the game. 

Check out the teaser below: 

Adweek responsive video player used on /video.

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Bud Light's Super Bowl Ad Will Go for Political Parody With Amy Schumer and Seth Rogen

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Bud Light is getting in on the election hype.

The Anheuser-Busch InBev brand today launched a 30-second teaser for its upcoming Super Bowl commercial introducing what it is calling "The Bud Light Party," with Amy Schumer and Seth Rogen. The duo will star in the brand's politically themed campaign through November's election to get consumers who can't agree on politics to agree on drinking Bud Light. 

This is the brand's first work from Wieden + Kennedy, which assumed responsibilty for Bud Light's creative work from BBDO last summer. The campaign is meant to position Bud Light as an inclusive, positive and fun brand. 

"Obviously the most talked about thing for the year will be the election, and that's how we came up with the whole campaign I.D. of 'The Bud Light Party,'" said Bud Light vp Alexander Lambrecht. "Now, we want to be very, very clear that we are not a political party. We absolutely have no intention to be. We are creating 'The Bud Light Party' as a brand platform." 

The thinking, explained Lambrecht, is that, "despite the fact that there are so many things people disagree upon, we believe and we know that there are so many things that people agree upon and Bud Light is one of those. Beer is one of those." 

The teaser, as well as the new campaign, also features Bud Light's new packaging design—its first redesign in eight years—from design firm Jones Knowles Ritchie. The new look will hit shelves in April. 

This campaign also introduces a new tagline for the brand: "Raise one to right now."

"What we like about it is that the 'Right Now' captures consumers' desire to live in the moment, as well as 'Right Now' is that opportunity for people to write their own future and create their own future," said Lambrecht. "And obviously the 'Raise One' speaks to the social, inclusive nature of the category and, most importantly, of the brand." 

While Schumer and Rogen will be the faces of "The Bud Light Party" campaign, other celebrities will join them throughout the year, including Ronda Rousey and Michael Pena. 

"Who is a better representation of the humor that is incredibly relevant right now than Seth and Amy?" asked Lambrecht. "So when W+K presented the first articulations and creative expressions of the campaign, Seth and Amy were on the top of the list because they are very current, relevant, very real. They stand out because they have a very outspoken and unique style and people love them."

 

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Infographic: What Fans of This Year's NFL Playoff Teams Buy

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What do NFL teams' fans like other than a win? With the Super Bowl just two weeks away, it's a question marketers spending mega-dollars on advertising are no doubt asking. 

Matching info from hundreds of thousands of visits to team websites with additional data from a general user base, The Trade Desk has created a new infographic centered around this season's eight best NFL teams—explaining where their fans live, what they buy and how often they actually cheer for their beloved team even during not-so-favorable seasons. (Last fall, the company took a similiar approach to analyzing the interests of Ohio voters voters ahead of the 2016 presidential race.)

Jeff Green, CEO of The Trade Desk, said marketers could use data to better understand what consumers rootings for various playoff contenders like or don't like. It could also be used to know where to focus endorsement dollars. For example, New England Patriots fans appear more likely to visit a Mercedes-Benz website than any American can manufacturer.

"The game has changed the last 10 years, and while this is fun and anecdotal, it definitely represents a serious trend," Green said. 

Another example: The Trade Desk found fans of the Carolina Panthers and Kansas City Chiefs to be more family-oriented, showing a higher interest in family vehicles. He said that might mean those games are a good time to show more ads related to those types of products. 

Here's the infographic, taking a look at this year's final eight playoffs teams:

How Vine's Hunky Goofball Logan Paul Plans to Become a Mainstream Superstar

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With his sandy blond hair, bright blue eyes and shredded physique, Logan Paul could have stepped from Greek lore. The 20-year-old social media megastar who's poised to become a millionaire off goofy videos and silly stunts is, as one might imagine, not short of confidence. "I want to be the biggest entertainer in the world," he says, adding, "I'm a really confident guy."

Hate him yet? Hold up, there's a flip side.

This real-life incarnation of an animated Disney prince is also equal parts wisecracking clown and unaffected boy next door. He takes repeated potshots to that pretty face for his videos, sharing the results with the social world. He works nearly nonstop, leaves the hard-core partying to others, and sticks close to his Midwestern family roots.

Trolls, be warned: slamming Paul would be like punching a puppy. He's just that earnest and adorable. Instead of talking smack, watch where he might go, which, if he has his way, is to mainstream superstardom on the level of his idols, Will Smith and Dwayne Johnson.

Paul maintains a squeaky-clean reputation. Corey Nickols

To call him merely an "Internet star" is woefully inadequate. His pratfall-laden Facebook videos logged more than 300 million views in October alone. For some perspective, that's more than two-and-a-half times the record-breaking number of Super Bowl viewers last year.

Still, Paul's got a lot to prove. While he's already a massively popular digital influencer—with 20 million-plus fans across Vine, where he initially made his mark, as well as Instagram, Facebook, Snapchat and Twitter—and an in-demand marketing partner, with more than a dozen brand deals to his credit, he is a newbie in the broader entertainment landscape. After all, a few commercials and a guest role on Law & Order: SVU make for a rather skimpy IMDb profile. But could he have a shot at ultimately conquering Hollywood, with his unique mix of brotastic physical humor, sweet-as-pie personality, acting chops (untested as they are) and sheer determination?

"I want to be a pioneer," says Paul, after hours of posing for photos for this story in Los Angeles. (Much of that time he spends in his boxer shorts, doing his signature epic splits.) "I want to be one of the first digital stars to make the transition to traditional media."

If that sounds like so much bluster, consider that he's got three movies under his belt, including the forthcoming apocalyptic thriller The Thinning from Legendary Digital Media. He's also written his own starring vehicle, Airplane Mode, now fully financed and heading into preproduction. The adult comedy has been described as an American Pie for Gen Z—or as Paul calls it, "an Expendables with Internet stars."

Brand dude

On the brand-marketing front, Paul's video for Doritos' "Crash the Super Bowl" campaign, dubbed "Paranormal Snacktivity," was the single most-viewed of 4,500 entries in the contest, though it did not make it to the finalist round of voting.

He continues to add to a roster of digital-promo campaigns that includes work for the likes of Hanes,Dunkin' Donuts, Nike, Verizon, Pepsi and HBO. He insists he partners only with those brands he believes in and of which he is already a fan.

Though born and raised in the Midwest, Paul has binge-watched enough Entourage to realize he needs to make strategic decisions—and powerful friends—to reach his lofty goal. To that end, last year he signed with Creative Artists Agency, which so far has fielded offers for everything from television to touring to merchandise. He had already relocated to the epicenter of Hollywood—a hipster apartment complex at the intersection of Hollywood and Vine, as it happens—along with his younger brother and fellow social media star Jake Paul. He is training with drama coaches as well as comedy troupes The Groundlings and Upright Citizens Brigade.

Wherever he goes, Paul brings legions of fans who treat him "like the Beatles in the '60s," says Paul Cazers, his agent at CAA, which also reps digital stars like Hayes Grier, Jenna Marbles and Brodie Smith. "He is this generation's teen idol, and every time he presses a button on his phone, millions of people know what he's doing."
 

The athletic Paul is known for his physical comedy, from pratfalls to public splits. Photo: Corey Nickols


 
Others have tried to make the leap from Internet fame to mainstream stardom. Among those starting to emerge are PewDiePie, Rachel Bloom, Grace Helbig and Colleen Ballinger-Evans. PewDiePie has a New York Times best-seller, while Bloom just snagged lead-actress Golden Globe and Critics Choice awards for her critically hailed CW musical comedy Crazy Ex-Girlfriend and Helbig launched her own late-night show on the E! network. (While generating buzz, neither series is a ratings hit.) Meanwhile, Ballinger-Evans, better known as Miranda Sings, just landed a deal with Netflix for a half-hour comedy called Haters Back Off.

Beyond small parts in movies and TV shows, mainstream success has largely eluded Internet stars—except for singers and musicians like Justin Bieber and Shawn Mendes, notes David Schwab, svp at Octagon First Call and an expert in celebrity endorsements.

Paul's ace in the hole? His handlers point to the fact that he's a digital native who understands his millennial audience, knows marketing-speak, and has the talent and drive to become a multihyphenate. "He's very methodical and he's motivated by accomplishment," explains Jeff Levin, his manager at Collective Digital Studios. "He knows there are so many other people in this industry fighting to get where he wants to go. What separates Logan is his work ethic."

He has also established a squeaky-clean reputation, though he says he's shifting "from PG to PG-13" material as his act evolves.

Paul's best-known work thus far is decidedly slapstick in nature. His three-act mini-movies on Vine include a much-loved skit featuring a banana peel that highlights his back-flipping ability and trip-and-fall shtick. Not surprisingly, perhaps, his audience is 75 percent male.

The close-up

Growing up outside Cleveland, Paul was fascinated with photography, saving his allowance and lawn-mowing money for his first digital camera. Initially, he shot mostly flowers. "I loved the aesthetic," he says.

When he turned 10, Paul graduated to a video camera, which he and his brother used to film the sports teams they played on, uploading content to the nascent YouTube. It wasn't until they turned the camera on themselves—showing off their particular brand of goofball humor, with choreographed stunts and rehearsed sketches—that they began to realize their potential to reach beyond friends and neighbors.

And as soon as the video app Vine launched, the Paul boys were there, making a competition out of who could land more followers for their six-second snippets. Logan entered a Virgin Mobile-sponsored contest—with the fortuitous hashtag #happyaccidents—exponentially growing his Vine audience almost overnight.

Despite having been bitten by the acting bug and getting caught up in social media, Paul entered Ohio University on an engineering scholarship. "It seemed the safer route," he says. And he might've stayed past his freshman year if it weren't for a couple of things. In late 2013, video-game publisher Ubisoft offered him $1,000 to create a Vine for its Just Dance franchise. The video—featuring Paul, a speeding treadmill and a painful-looking face plant—remains the brand content with the greatest engagement on the platform. Around the same time, Paul posted a compilation of his most popular Vines on YouTube. The three-minute video got 4 million views in its first week, establishing Paul as the outrageous college dude who was willing to do almost anything to make people laugh. It would also be his entree to Los Angeles.

Fan craze

Paul has catapulted himself into an elite group of digital influencers who can command real money from the advertising community. "Social stars bring a built-in, young, active fan base," explains Schwab. Paul has proven "that he can help brands achieve their marketing objectives."

Clearly, brands are flocking to digital talent. For the first time last fall, Forbes tracked the top 10 YouTube earners, while its most recent 30 Under 30 list featured more digital influencers than ever before. Talent agencies including CAA have bolstered their digital-talent divisions. And media company Fullscreen and WPP's GroupM just introduced a new influencer-marketing unit to match personalities like Helbig and Viner Nash Grier with major brands.

"Marketers want talent that doesn't feel too polished or too Hollywoodized," explains Adrian Sexton, interim president and COO of Endemol Beyond USA, who helped launch beauty guru Michelle Phan's new Icon digital network. "An A-list movie star would look like a fish out of water on YouTube, and brands wouldn't see the engagement they want."

It goes without saying that it's also cheaper to hire Internet talent than a movie star. Paul has gone from small thousand-dollar payouts to six-figure deals. Levin says the goal is to go deeper with a few brands rather than spreading Paul too thin among scores of advertisers.

One of his higher-profile marketing partnerships has been with Hanes, the underwear brand that hired Paul in mid-2014 for a social campaign to promote its stay-cool X-Temp line. For the brand, Paul attended several well-trafficked summer events, where he churned out digital shorts based on dares from his fans. One of the most popular videos has him dressed as a matador at New Orleans' version of the running of the bulls—which features roller-derby girls rather than livestock—as he shouts "Olé!" and fends off skaters. A twist ending has a huge trash can smacking him in the face.

The response knocked the socks off Hanes executives. The campaign earned 3.8 million impressions on Twitter (a record-breaker at the time), 750,000 Facebook views and nearly 38 million Vine loops (the platform's metric for views), well above the norm for such material, notes Hanes chief branding officer Sidney Falken. "We kept checking the numbers because none of us expected to see that level of engagement," says Falken, who raves about Paul's talent. "He was so creative and inventive. He was a perfect thematic fit, and he delivered on the message in such a fun way."

Dunkin' Donuts had a similarly positive experience after it asked Paul to help boost the profile of its loyalty program and mobile app. (Paul's face is emblazoned on a gift card.) "We immediately saw the power of his brand," says Nick Dunham, the brand's director of media. One of Paul's Vines for Dunkin' snagged 4 million loops. "He kept everything in his tone of voice but married it perfectly with our brand," says Dunham.

Of course, Paul's team touts his digital stats at every turn—yet no one is more up on his impressive data than Paul himself. He mentions that he helped increase ratings for Law & Order: SVU by 20 percent among adults 18-34 when he played a cyber-villain on the NBC series, and that in November he helped spur 25,000 Dunkin' Donuts gift card purchases, 32 percent of the total for the month. Paul carefully tracks his Vine ranking (currently No. 7 in the world) and crows like a proud papa that his beloved pet, Maverick the Parrot, has amassed 103,000 Instagram followers.

Whatever happens in Hollywood, Paul says he will never turn his back on social media—even as he understands its limitations. "Social media has a lifespan; I'm aware of that," he says, stressing that he does not aspire to be a 40-year-old Vine star. "But I started from nothing and built this fan base and they'll follow me to the ends of the Earth. They know we're in this journey together."

This story first appeared in the Jan. 25 issue of Adweek magazine. Click here to subscribe.

Will This Niche Beverage Company's Super Bowl Spot Be a Surprise Hit?

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Bai, the maker of low-calorie health beverages, will make its first Super Bowl appearance with a commercial by Barton F. Graf. What's more, the brand has elevated Barton to lead agency status.

Bai will run a single 30-second spot during the Feb. 7 CBS telecast. Media placement is being handled by Maxus. Bai has yet to finalize the exact placement of the ad.

"While you often see many long-established brands taking advantage of the most-watched broadcast in television, you also see emerging brands, like Bai, using it as a way to introduce themselves to new consumers," Chad Portas, Bai's chief creative officer, told Adweek. On game day, viewers will get "a glimpse into what we make and why our products are truly different," he said.

The commercial will be a new entry in Bai's "None of This Makes Sense" campaign, which Barton unveiled last year. Employing the shop's trademark absurdist humor, the work presented oddball characters in weird situations asking why Bai—brimming with antioxidants and packing only five calories—tastes so good. According to the ads, that simply doesn't make sense.

Of course, spending $5 million or possibly more on a Super Bowl slot might seem nonsensical to some—or, at the very least, like a risky move for the brand which, after all, competes in a niche category and is hardly a household name.

Portas, however, isn't losing any sleep over the strategy.

"This is certainly new territory for Bai," he said, "but we are excited to kick off our 2016 campaign in he biggest way possible. Opening this yearlong effort on marketing's biggest stage may not be practical or logical to some. It may not make sense. But we do things our own way, and that's how we've become the fastest growing brand in our category."

Perhaps lightning will strike twice. After all, a Super Bowl advertising newbie, Avocados From Mexico, had one of the surprise hits of last year's game. (And that brand will participate in Super Bowl 50 next month with new work from GSD&M.)

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Comedy Duo Key & Peele Will Star in Squarespace’s Super Bowl Ad

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Squarespace is bringing comedians Keegan-Michael Kelly and Jordan Peele to Super Bowl 50.

"Key & Peele are really indicative of a new generation of creators—the juxtaposition, the different topics they tackle in their comedies that probably seemed a little bit more taboo in the past," said Chris Paul, vp of media and acquisition at Squarespace. "They're on the bleeding edge and extremely innovative about how they blend news topics, sports topic, trends and everything else into the way that they create their comedy and their art is very much in line with the kinds of people we like to feature."

Creative details about the Squarespace ad with the Comedy Central stars are still sparse, but the brand hired Anomaly to create a broader campaign around "cultural tentpole moments" in November. This year marks the website development company's third Super Bowl appearance, with last year's spot featuring actor Jeff Bridges.

The brand's first spot for this year broke during the Golden Globes, and the brand will also advertise during the Grammy's and the Oscars in February.

"The general feeling around our involvement with the Super Bowl has a lot to do with the importance in this time of year. We know that a lot of people are launching new efforts, making resolutions and bringing ideas to light," explained Paul. "The Super Bowl is the beginning of what we're trying to do this quarter to make more an impact."

"In each case, we'll have a unique story," he said. "It's really meant to continue to demonstrate the breadth of Squarespace's offering to different types of people who benefit from working with us."

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.


Pokémon Unveils Its Super Bowl Ad, the First of This Year's Spots to Roll Out Online

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Pokémon has become the first brand to unveil a full 2016 Super Bowl commercial, rolling out an extended version of its 20th anniversary spot that will run in a 30-second version on the Feb. 7 telecast.

Ad agency Omelet in Los Angeles created the ad, which was shot in Rio de Janeiro and explores the idea of training. (The owners of Pokémon video games and trading cards are considered "trainers," preparing Pokémon creatures for battle.) As previously reported, the spot—full of hidden Pokémon references—carries the tagline, "Train On."

The spot takes its visual cues largely from sports advertising. It has a Nike feel to it—until the final moments, when it becomes clear our young hero is waging much more fantastical kinds of battles. (Bonus points for excellent use of Pikachu in a scene toward the end.)



"For 20 years, the Pokémon world has inspired fans to train hard and have fun," J.C. Smith, senior director of consumer marketing at The Pokémon Company International, said in a statement. "This ad is reflective of that passion, and I can't think of a bigger stage to share this story than the Super Bowl."

The 30-second version will run near the beginning of the third quarter of Super Bowl 50.

Releasing Super Bowl ads early and in extended versions has become a popular strategy in recent years, ever since the 60-second version of Volkswagen's "The Force" went viral in the week leading up to the 2011 Super Bowl. (That ad also aired as a :30 on the game itself.)

Pokémon has gone a step further by striking a deal with CBS to have its new spot included—along with a behind-the-scenes look at its making—on a Feb. 2 special called Super Bowl's Greatest Commercials. (This ad doesn't deserve that qualifier, which makes its placement there even more of a coup.) 

The ad is part of a yearlong campaign celebrating 20 years of Pokémon, in which time it has sold some 275 million video games and 21.5 billion TCG cards worldwide, and created an animated series spanning 18 seasons. More information about the anniversary can be found at Pokemon.com/20. 

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

In a Good Sign for the Super Bowl, CBS Celebrates Highest-Rated AFC Championship in 29 Years

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Peyton Manning's nailbiter victory over Tom Brady helped drive Sunday's AFC Championship game to its highest ratings in 29 years, according to early estimates from Nielsen.

In early numbers, which will be adjusted and updated later today, CBS said the AFC Championship—in which the Denver Broncos held off a last-second comeback attempt by the New England Patriots, to win 20-18—was the highest-rated telecast since last year's Super Bowl, which drew 111.4 million viewers and a 49.7 rating in adults 18-49. While those numbers were likely boosted by East Coast residents snowed in for the weekend by Winter Storm Jonas, they are music to CBS' ears as the network gears up to air Super Bowl 50 on Feb. 7.

With an average overnight household rating of 31.8, the game was the highest-rated AFC Championship in 29 years, since the Denver Broncos beat the Cleveland Browns in overtime in 1987. The household rating was 19 percent higher than the NFC Championship game which followed on Fox, and up 31 percent from last year's AFC Championship game, which aired in the later, prime time slot. That should translate to more than 50 million viewers when updated figures are available later today.

40.7 million (14.3 rating in 18-49) watched last night's NFC Championship on Fox, where the Carolina Panthers streamrolled the Arizona Cardinals, 49-15.

A reported 20.6 million stuck around for the postgame, and 13.5 million (5.1 in 18-49) watched the 10:30-11 portion of The X-Files, which because of an usually long postgame, didn't start until around 10:24 p.m. ET.

It's a solid start for The X-Files, which Fox is betting will reverse the recent spotty track record of revivals and reboots. The second episode airs tonight at 8 p.m. ET/PT, the show's regular time slot. As part of the show's elaborate marketing campaign, Fox ran spots during every NFL game this season, touting the show's post-NFC Championship premiere. Its series finale in 2002 drew 13.3 million.

That is an improvement upon Fox's post-NFC Championship programming two years ago, the Season 2 premiere of its Kevin Bacon drama The Following, which drew 11.2 million total viewers and a 4.4 rating in 18-49. Last year, CBS aired Scorpion after the AFC Championship game, and attracted 12.3 million viewers, and a 3.2 18-49 rating.

Last year, 49.8 million watched the Seattle Seahawks beat the Green Bay Packers in the 2015 NFC Championship game, while 42.1 million tuned in as the New England Patriots defeated the Indianapolis Colts in the AFC matchup on CBS. In 2014, 55.9 million tuned into the NFC Championship, while 51.3 miller watched the AFC Championship.

It was a lucrative day for both Fox and CBS. According to iSpot.tv estimates, Fox sold $99.8 million worth of NFL advertising on Sunday, with top sponsors including Apple, Ford, Chevrolet, DC Entertainment (which ran three spots for Batman v Superman: Dawn of Justice) and Nationwide. The X-Files brought in an additional $14.1 million in advertising.

CBS also fared strongly, with $95.3 million in advertising, led by Honda, Verizon, IBM, Nissan and Apple.

Now that the Super Bowl teams have been set—and buoyed by its hefty AFC Championship numbers—CBS can continue dialing up the hype over the next two weeks as it prepares for a Super Bowl that "America will never forget."

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

A Hungry Marilyn Monroe Butchers 'Happy Birthday' in Snickers' Super Bowl Teaser

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She's America's original sweetheart. But when she's hungry, Marilyn Monroe takes a turn for the worse. That's according to Snickers' new Super Bowl ad teaser, in which she reprises her iconic "Happy Birthday" serenade—to celebrate the Super Bowl's 50th birthday—but with quite the husky vocal. 

Check out the teaser here: 



"Since we're kicking-off the '50' celebration of one of the world's most iconic events, it seemed only fitting to cast Marilyn Monroe, a Hollywood icon with global appeal, to help us celebrate," says Snickers brand director Allison Miazga-Bedrick. "But this is just a small glimpse of what America should expect from Snickers on Super Bowl Sunday. As always, the ad will feature a funny surprise that we're confident will satisfy fans hungry for a laugh."

Snickers confirmed the Super Bowl spot continues the brand's "You're Not You When You're Hungry" positioning, which launched with the Betty White spot on the 2010 Super Bowl. The 30-second spot, from BBDO New York, will air in the first quarter of the Feb. 7 telecast.

Last year's Super Bowl spot from Snickers, starring Danny Trejo and Steve Buscemi in a Brady Bunch parody, was a big hit—and was named the second best ad of 2015 by Adweek.

Monroe originally sang "Happy Birthday, Mr. President" for President John F. Kennedy on May 19, 1962—10 days before his 45th birthday. 

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Outdoor Apparel Brand Marmot Will Introduce Its Furry New Mascot at Super Bowl 50

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Marmot wants to bring things back to nature in its first-ever Super Bowl ad.

The outdoor apparel and gear retailer's campaign comes from Goodby, Silverstein & Partners, which won the business after a late-2014 review.

Instead of featuring celebrity cameos, movie tie-ins or sweat-drenched athletes, the ad will star a "marshmallow-eating, fetchingly clad" marmot eager to spread the word about the great outdoors (and the sturdy clothing required to enjoy its many pleasures).

The first of three teasers sets the tone as the aforementioned mammal shows his slow-witted human friend how to make snow angels ... in the dirt.

Next, the marmot has learned to enjoy fine human cuisine, but he's yet to master the art of fireside dining etiquitte.

The message is clear: he's just like us ... in every possibly embarrassing way.

Two eco-minded University of California Santa Cruz students founded Marmot in 1971, but the challenger brand got a good bit bigger last year when the consumer goods unit of its parent company, Jarden, merged with that of Newell Rubbermaid.

With this campaign, Marmot looks to elevate its profile alongside those of crunchy competitors like The North Face, Patagonia and REI. Those brands have the granola ethos down—but can their mascots pee off the side of a mountain?

CREDITS

Client: Marmot
President: Mark Martin
Vp of marketing: Tom Fritz

Campaign: "Love the Outside"
Titles: "Snow Angel," "Campfire," "Peeing"
Launch Date: 2/7

Agency: Goodby Silverstein & Partners
Co-Chairman: Rich Silverstein
Creative Director, Associate Partner: Justin Moore
Copywriter: Kurt Mills
Art Director: Kyle Lamb
Executive Broadcast Producer: Hilary Coate
Managing Partner: Robert Riccardi
Account Director: Melissa Buck
Account Manager: Rosie Breen
Group Brand Strategy Director: James Thorpe
Brand Strategist: Kirstie Maryott
Brand Strategist: Marisa Perazelli
Director of Communication Strategy: Christine Chen
Communication Strategist: Maren Severtson
Business Affairs Associate Director: Judy Ybarra
Business Affairs Manager: Chrissy Shearer
Production Company: Reset Content
Director: Si & Ad
Managing Director: Dave Morrison
Executive Producer: Jeff McDougall
Head of Production: Jen Beitler
Producer: Ahnee Boyce
Editorial: Final-Cut
Editor: Joe Guest
Assistant Editor: Micah Chase
EP: Eric McCasline
HOP: Suzy Ramirez
Producer: Michael Miller
Online/Visual Effects: Electric Theater Collective
Executive Producer: Kate Hitchings
CG Leads: Remi Dessignes, Corrine D'Orsay, Steve Beck
Lead Flame Artist: Andrew Watson
Colorist Aubrey Woodiwiss
Audio Mix: Eleven Sound
Mixer: Jeff Payne
Assistant Mixer: AJ Murillo
Sound Design: Barking Owl
Sound Designer: Michael
Producer: Ashley Benton
Executive Producer/Creative Director: Kelly Bayett

Why a Digitally Savvy Finance Brand Decided to Go 'Old School' With a Super Bowl Ad

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Despite some initial skepticism about whether it was the right move, financial services company Social Finance, or SoFi, is now all in on the Super Bowl.

Part of a larger introductory campaign from creative shop Muh-tay-zik Hof-fer, one 30-second ad will appear during the game, with another running shortly before kickoff. The in-game spot looks to give consumers a taste of what exactly SoFi is and how it is different from traditional banking. 

The humorous approach seeks to explain the company's unique business model in a lighthearted way. 

"Not everyone qualifies for our products, so we didn't want to say, 'Hey everyone come in here and get a loan,'" said Joanne Bradford, chief operating officer of SoFi. 

The 30-second spot, which will run in the first half of the Super Bowl, was shot by director Marc Forster who is known for films like Finding Neverland, Monster's Ball and Quantum of Solace. 

With this campaign SoFi is looking to boost its brand awareness, though Bradford was initially leery of Muh-tay-zik Hof-fer's suggestion to go to the Super Bowl to do that. 

"With [my] background in digital, I was like, that's so old school, why would we do that?" said Bradford. "In the end, I went and got proposals from many digital publishers and I went and added them all, and it didn't get you the reach, the excitement or the opportunity to introduce ourselves to the marketplace in a cost-effective way. No amount of homepage takeovers, no amount of native content, no amount of posting would bring you the reach and the impact that a Super Bowl ad would." 

SoFi will also be running another spot shortly before the Supe Bowl, leaning on consumers' distrust of traditional banking following 2008's financial crisis. The ad uses phrases like "Too Big to Fail," before the Big Game to get consumers curious about the company. 

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

CREDITS

Client: SoFi
Project: Great Loans for Great People

Agency: MUH-TAY-ZIK | HOF-FER
ECDs - John Matejczyk, Jay Berry
ACDs - Adam Ledbury, Guy Lemberg
Director of Strategy: Matt Hofherr
Associate Strategy Director: Rachel Gold
Designer: Bob Dinetz
Head of Production: Michelle Spear Nicholson
Senior Producer: Jona Goodman Suarez
Producer: Megan Ubovich
Account Director: Noel McKenzie-Johnson
Account Supervisor: Veronika Luquin Campbell
Director of Media: Eric Perko
Media Strategist: Nadia Last

Production / Tool
Director: Marc Forster
Director of Photography: Nicholas Loir
Executive Producer: Robert Helphand
Producer Lindsay Skutch

Editorial / Arcade
Editor: Kim Bica
Executive Producer: Nicole Visram
Post Producer: Adam Becht

VFX / FRAMESTORE
Senior VFX Producer: James Alexander
Senior Executive Producer: James Razzall
Visual Effects Supervisior: Michael Ralla
Executive Creative Director: Aron Hjartarson

Color / Frame Store:
Senior Colorist: Beau Leon

Record & Final Mix / Eleven
Senior Engineer: Jeff Payne

Music / Squeaky Clean
Composer: Rob Barbato
Executive Producer: Carol Dunn
Music Producer: Chris Shaw

Client: SoFi
Project: This is the Beginning of a Bankless World

Agency: MUH-TAY-ZIK HOF-FER
ECDs:  John Matejczyk, Jay Berry
ACDs: Adam Ledbury, Guy Lemberg
Creative Director: Todd Bois
Designer: Bob Dinetz
Head of Production: Michelle Spear Nicholson
Senior Producer: Jona Goodman Suarez
Producer: Megan Ubovich
Account Director: Noel McKenzie-Johnson
Account Supervisor: Veronika Luquin Campbell
Director of Strategy: Matt Hofherr
Associate Director of Strategy: Rachel Gold
Director of Media: Eric Perko
Media Strategist: Nadia Last

Production / FURLINED
Director: Douglas Avery
Director of Photography: Max Goldman
Head of Production: Sheila Eisenstein
Senior Executive Producer: David Thorne
Executive Producer: David Richards
Producer Greg Haggart

Editorial / WHITEHOUSE POST
Editor: Brandon Porter
Head of Production: Joanna Manning
Post Producer: Jennifer Mersis

Finishing / CARBON LA
Executive Producer: Matthew McManus

Color / COMPANY 3
Senior Colorist: Dave Hussey

Record & Final Mix / ONE UNION
Senior Engineer: Eben Carr
Senior Engineer: Matt Zipkin

Music / TRAVIS + MAUDE
Executive Producer: Kala Sherman

How Walmart and P&G Are Trying to Reach Female Fans With Super Bowl Social Effort

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In years past, Nielsen has estimated that 46 percent of people who watch the Super Bowl are female. And women also do most of the tweeting about the ads. Yet, despite spots like last year's "Like a Girl" from Always, the Big Game still feels pretty male oriented (the "apex of manvertising," as The Washington Post recently put it). Maybe that's because brands haven't figured out the right way to reach those women viewers.

And maybe the right way isn't a Super Bowl ad at all.

Walmart and Procter & Gamble have teamed up to make a play for female NFL fans with a two-part effort that's all social and mom-centric. Shortly before Christmas, the brands launched a Web video called "Game Day Traditions" starring Mama McCourty, the consummate football mom.

Throughout this month, the brands have built on that original effort by encouraging social influencers to post their own Super Bowl party hosting tips using the #GameDayTraditions hashtag. Thus far, participants (mostly moms, by the looks of it) have shared everything from cleaning tips to recipes for seven-layer dip. The social push continues to the end of this week.

Harnessing the power of mommy bloggers has been a favored marketing tactic for several years, but what makes this effort notable isn't just that it's getting women to buzz about the Super Bowl, it's harnessed an army of ordinary moms to rally around a video starring pro football's most famous mom. It's a far cry from the usual 30-second spot for Anheuser-Busch, but is it effective?

Casting the NFL's Favorite Mom

The centerpiece of the Walmart/P&G effort is a video produced by SheSpeaks, a media platform for female influencers that reaches 100 million consumers. The three-and-a-half-minute effort stars Mama McCourty, who knows a thing or two about Sunday football gatherings. McCourty's twin sons, Devin and Jason, both play in the NFL.

"Mama McCourty has a lot of game-day traditions because she has two kids in the NFL," said SheSpeaks CEO Aliza Freud. "So we organized a conversation with her and then figured out how to weave these products into the story."

The story goes like this: Mama McCourty comes to visit the home of entertainment reporter Keri Keith Lumm, and the pair proceed to prepare for a house full of company by cleaning up, talking about food, setting the table and so on. At strategic junctures, P&G products make appearances out of a Walmart shopping bag—Tide and Downy for laundering football jerseys, Bounty towels and a Swiffer mop for cleaning up a dropped chicken wing.

P&G is following a well-traveled path to reach consumers, according to David Murdico, creative director for L.A.-based digital marketing firm Supercool Creative. "Influencer videos are very popular and successful right now because advertisers can tap into highly targeted and loyal audiences that trust the influencers," he said.

Is the approach successful?

Needless to say, an influencer video is a lot cheaper than a Super Bowl spot.

But such videos have their challenges, too. In the case of "Game Day Traditions," these include forcing a disparate lineup of dry goods into a storyline about a football party. According to Freud, SheSpeaks sought "to find common ground with the products and come off as authentic." At times, though, authenticity seems like a bit of a stretch—such as when the women decide to put on their "game face," heading to the bathroom to daub on Covergirl mascara while the mac and cheese is baking in the kitchen.

"It felt like a product placement pitch—how did the storyline go from grocery shopping to putting on mascara?" said veteran marketer Petur Workman, vp at Phoenix Media Group. Workman said he believes the influencer-video concept itself is solid. "You can cover a lot of brands, target more specifically and get more bang for the buck," he said.

But it's still a delicate task to cloak what's essentially a commercial with the look and feel of a helpful-hints video. "You need to have more of an Oprah approach, a feeling for the customer," Workman said. "You're not going to fool NFL watchers."

Murdico agrees. "This video has a great concept as they wrap Mama McCourty's unique story around how she gets ready for a Super Bowl party," he said. "But there's either too much product placement or too few tips on throwing the party."

Whatever its shortcomings, the video has notched over 176,000 views, and #GameDayTraditions is racking up a steady stream of tweets. It's also worth pointing out that even the best marketing effort won't reach those who simply dread the Super Bowl and have no intention of throwing a football party. As blogger Nina Malkin has advised her readers, "Should you get the brilliant idea to tell your beau to invite his boys over to your apartment for a Super Bowl frolic—resist! You'll find yourself babysitting a bunch of very loud, very large toddlers."

Perhaps the task gets easier when Mama McCourty comes over.

Jeff Goldblum and Lil Wayne Will Pitch Apartments.com at the Super Bowl

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Continuing last year's campaign with Jeff Goldblum playing tech futurist Brad Bellflower, Apartments.com and agency RPA are going to the Super Bowl to introduce America to the housing market site.

Apartments.com's CMO Becky Carr said the brand backed its decision to run its first Super Bowl with data showing that more Americans than ever are renting rather than owning. Per Apartments.com, nearly one-third of Americans rent their homes, be they apartments or houses, and the average person moves every 18 months.

"What we wanted to do for the Super Bowl was a little bit different—it really is about celebrating apartment lifestyles," she said. "I think the commercial talks about the joys and excitement of moving on up into a new apartment."

In addition to Goldblum, rapper Lil Wayne will also star in Apartments.com's ad dubbed "MovinOnUp." In a teaser for the spot that will go live later this morning, Wayne sits in his apartment while buzzing in George Washington.

UPDATE: The teaser is live—take a look below.

The brand's 60-second ad will run during the second commercial break of the game, with an additional regional ad buy during the third quarter.

On Twitter, Promoted Tweets and influencers including YouTube creator Kurt Schneider will amplify the "moving on up" theme. And a partnership with BuzzFeed entails an apartment-related listicle.

The Twitter push has actually begun already, with Apartments.com promoting the #MovinOnUp hashtag today.

"A year ago, the apartment marketplace for us was a $100 million, and it's doubled—ending 2015 with $200 million," Carr said. "What can you do to top what we did last year but reach a hundred million-plus audience through the iconic opportunity to be on the Super Bowl? This provides a platform for us to take it to the next level."

Here's a look back at some of Goldblum's earlier ads for the site:

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.


Amazon to Air Its First Super Bowl Ad, Starring Alec Baldwin and Dan Marino

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Amazon will air its first-ever Super Bowl ad on Feb. 7, Adweek has confirmed, and it has recruited Alec Baldwin for his first Super Bowl campaign since Hulu in 2009.

The company released a teaser Wednesday, in which the actor is seen planning an epic Super Bowl party with legendary NFL quarterback Dan Marino. Amazon's wireless speaker and voice command device, Alexa of the Amazon Echo, makes a cameo as well.



Leo Burnett Toronto created the campaign, which is using the hashtag #BaldwinBowl. Baldwin and Marino will star in the gameday spot as well as the teaser. It's not clear if any other stars will join them in the Super Bowl spot. 

"Echo has had an amazing reception from customers over the past year—they love it," Neil Lindsay, vp of Amazon Devices, said in a statement to Adweek. "We thought the Super Bowl was a great chance to tell even more people about what Echo and Alexa can do, and have some fun while doing it."

No other details were available.

Baldwin, 57, last starred in a Super Bowl commercial in 2009, when he played an alien in a well-received Hulu spot who had arrived on Earth to turn human brains to mush—and then eat them—using massive amounts of TV. 

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

Quicken Loans Wants to Save the Entire U.S. Economy in Its First Super Bowl Ad

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Quicken Loans' Rocket Mortgage app doesn't just simplify the home financing process. It can start a chain reaction that could brighten the prospects of the entire American economy, according to the online mortgage lender's first-ever Super Bowl commercial, which rolled out Wednesday. 

The 60-second spot, from Fallon in Minneapolis, begins with a female voiceover: "Here's what we were thinking: What if we did for mortgages what the Internet did for buying music, plane tickets and shoes?" 

It then goes on to describe a kind of snowball effect, wherein more and more people get Rocket Mortgage home loans, and then have to fill those homes with stuff, boosting sales and improving the finances of the stuff makers, who then get their own home loans through Quicken, and so on and so on. 

This is just the American way, the spot says at the end. 



The ad will air during the first half of Super Bowl 50 on Feb. 7 and is part of a larger "Push Button, Get Mortgage" campaign that also included two previous30-second spots. Quicken describes Rocket Mortgage as "the first end-to-end, completely consumer-driven online and on-demand mortgage experience." 

"There's no better place to communicate how Rocket Mortgage will help Americans reach their homeownership goals, and in turn impact the entire economy, than during America's favorite game," Jay Farner, president and chief marketing officer for Quicken Loans, said in a statement. "It's always been our mission to help Americans buy the home of their dreams utilizing the easiest mortgage process possible. Quicken Loans' Rocket Mortgage technology was developed with that mission in mind." 

The ad also embodies its own patriotic message. In tandem with the Super Bowl spot, Quicken is launching the Rocket Mortgage "Push Button, Get Stuff" Sweepstakes, giving away hundreds of American-made items from, and inspired by, the commercial.

The prizes will include a living room package, a Viking Range, KitchenAid mixers, Blendtec blenders, Shinola bikes and more. And one winner will receive a $100,000 grand prize to help pay off their mortgage or buy a new home. 

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

For Its Super Bowl Ad, Colgate Asks You to Turn the Water Off When You Brush

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Colgate, a first-time Super Bowl advertiser, today released the full 30-second spot it will air on Feb. 7.

You won't find any Colgate products in the ad. Instead, the spot discusses a larger issue—the importance of saving water.   

The commercial opens on a man leaving the faucet running as he brushes his teeth. It then notes that when we leave the tap on, even if only for a short period of time, we waste up to four gallons of water each time. The spot tells viewers that four gallons of wasted water is more than some people get in one week. 

The ad isn't a completely new one for the brand, but is instead a 30-second version of a larger 60-second "Save Water" campaign that ran in Peru and Colombia in 2014 for World Water Day. Y&R Peru created a 60-second version of the ad, which racked up over 500,000 views and also won the agency a Cannes Lions award.  

The campaign uses the hashtag #EveryDropCounts, and asks viewers to use the hashtag as a way to signify their pledge to conserve water when they brush. 

For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies creating them.

Patriots Fan Parody Blames Deflategate, Refs, Illuminati for Ending Super Bowl Run

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It's been a rough couple of days for fans of the New England Patriots.

The defending Super Bowl champions were denied a return trip to the Big Game with a heart-breaking loss to their most hated rival, Peyton Manning. To make matters worse, the game likely came down to a first-quarter missed extra point attempt by usually reliable kicker Stephen Gostkowski (otherwise they wouldn't have had to go for two at the end to send the game into overtime).

But in this tongue-in-cheek video released today by NBC Sports, two Patriots fans are finding others to blame, even indicting referee Ed Hochuli for moving the goal posts during Gostkowski's missed kick.

Also, the Illuminti, because, why not?

The video is the latest in a series between NBC Sports and Above Average's sports comedy vertical, The Kicker. The 5-episode series, dubbed "Sports... The Musical?", features Broadway actors and singers and is led by Brian Usifer, the music director of Kinky Boots.

"Sports... The Musical?" is part of the new NBC Sports Digital Shorts portfolio focused on producing short-form original digital content for NBCSports.com and other NBC Sports Digital platforms.

Christopher Walken Is Waiting in the 'Walken Closet' in Kia’s Super Bowl Teaser

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Last year, Kia put onetime super spy Pierce Brosnan in a campaign that cast its 2016 Sorrento as "The Perfect Getaway Vehicle."

This year, Kia's celebrity spokesperson is Christopher Walken—and in David&Goliath's seventh consecutive Super Bowl ad for its first and largest client, the actor would like to invite viewers into his "Walken Closet." ... Get it?

Walken will help promote the 2016 Kia Optima in a full 60-second spot set to run in the third quarter. Last week's still-shot teasers suggested a sock puppet might play a significant role, and the new "first-look" clip hints at the sock's origin story.

"Walken Closet" follows two 30-second spots narrated by the ghostly actor that launched earlier this month. In "Middle C," Walken cast the Optima as a standout in a midsize-sedan sea of mediocrity.

"Cookie Cutter" followed the same theme, with the Optima playing the role of next-gen leader of the auto industry's least sexy category.

As Kia puts it, the new Optima is "the vibrant alternative for those determined not to blend in."

Walken, who's never been accused of fading into the background, might make the ideal spokesperson for the campaign.

• For more Super Bowl 50 news, check out Adweek's Super Bowl Ad Tracker, an up-to-date list of the brands running Super Bowl spots and the agencies involved in creating them.

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